Analysis of Badinerie by J.S Bach

The piece Badinage is in a light mood and structured in the Binary Form. It is cast in swift 2/4 meter beginning on the upbeat or musicians. This piece was originally written for a Chamber Orchestra and a solo flute. The piece starts In B minor and played In allegro tempo throughout. Badinage start with a mess forte dynamic marking meaning moderately loud with motive A in the pickup bar at the beginning and motive B starts on the second beat in bar two to bar 3. The Antecedent ranges from the beginning of the USIA to the first beat of bar four, which ends on a Perfect Authentic Cadence. The Consequent started on the second beat of bar for four to the first beat of bar ten, which ended on an Imperfect Cadence a one to a five suspended two chord In second inversion. They are long phrases throughout the duration of the piece. In the first five bars the bass line plays a Bass Continuo style in Baroque music, however in modern day it is called a Walking Bass style. In bars six to ten the melody line plays a similar rhythm that the bass was playing in the first five bars and the ass line plays a similar rhythm to what the melody line was playing.The second beat of bar 10 the dynamic marking changes to forte meaning loud which is the beginning of the phrase extension and sequential progression to bar 16. There Is a great build up in this phrase with a mess forte crescendo leading up to forte and the use of sixteen notes in the bass notes the section intense and bright. Bar sixteen the end of the first section is repeated and ends on an Imperfect five of five going to five cadence called atomization. The second section of the piece is a development of A, which Is the same melody played a fifth up.The Antecedent started from the pickup beat to the first beat of bar three on a five of three going to a three cadence. The piece then modulated to D major in the next bar then f# minor in bar 30 then back to b minor in bar thirty two. There is a phrase extension starting on the second beat of bar twenty to the first beat of bar twenty eight. The same idea comes back again of the melody line taking the rhythm of the bass line and the bass line taken the rhythm of the melody line in bars went eight to thirty two.There are pedal points in bars 33 to 35, interesting to note that there is use of octaves. In bars thirty six the first beat has a loud dynamic marking and the second beat has a soft dynamic marking which is quite interesting. There is a crescendo in the next bar leading up to forte towards the second to last bar. This section is then repeated and the section time around there is a rite. 2 Volta Inch means turn around then retard the second time. The piece ends on a Perfect Authentic Cadence.

A Great Civil War Hero and a Great Military Commander Whose Name is Case Study - 1

A Great Civil War Hero and a Great Military Commander Whose Name is Hiram Ulysses Simpson Grant - Case Study Example Grant is a complex man (Bartholomees, 2002, p. 133) filled with great contradictions. Drain, the executive producer of American Experience describes him as a man hailed from an educated family, yet a school bus; a man who hates violence and the sight of blood, yet had been a brutal commander (cited in Lasner, 2002, p. 20). A man devoid of any qualities of greatness yet had saved and united this nation. A man of constant failure yet in his not so distinct previous military career had earned President Lincoln’s trust and confidence against the opposition of many, had been able to tame and discipline the seemingly hopeless rowdy Illinois regimen, and had defeated Robert E. Lee’s forces, victoriously ending the bloody Southern rebellion (Goode, 1999, p. 330; Lasner, 2002, p. 20). An honest man yet his administration were best known for many scandals involving his own people – his secretary of war (William Belknap) and private secretary (Gen. Orville Babcock). Among t he major scandals that smeared his term were the Black Friday (September 24, 1869), Whiskey Ring (1875), and Belknap Bribery (1876). (Toppin, 2002, pp. 244-246) Also, a child of the frontier, a drunkard and a stern military commander, yet rarely swears using only the oath ‘doggone it’ and acts with ‘girlish modesty’. According to him, â€Å"no one had seen him naked since he was a boy.† (Goode, 1999, p.330) Civil War brought success to Grant from being a war hero to the White House, becoming the 18th and youngest US President serving two terms (1869-1877).

There is no set topic Essay Example | Topics and Well Written Essays - 500 words - 9

There is no set topic - Essay Example In particular, a representation of nature and America is perceived in the ‘self’ under his possession and by rhetorical naming, he enumerates acquaintances of humans and dispositions at the aim of making recognition to their worth by way of contributing to be part of his formation. Seemingly he puts this in a resonance that as he takes part of what others are, equivalently, his existence shares to them a part of himself. No matter how large and distinct the external world is and the other human beings outside of the individual self, Whitman persuades the readers to find the essence in collectiveness as bearing impact upon the singleness of a person. Just like a ‘self’ with a soul of its own, the collective co-existences surrounding form a network to the self so if seen as a whole, the collection is seen as one with a singular soul that discerns every part of itself as every part is the self making up the breathing union. As he tries to raise a political stand on describing a ‘democratic self’, Whitman admits at having undergone a struggle of remaining part of a whole while invoking the freedom to acquire an identity which by nature stands different or unique compared with the rest. In an attempt to draw upon a comprehension that would appeal to the greatest number, he humbly exemplifies his inability to answer a child’s basic query of what a grass is. On admitting that his level of knowledge is nowhere above that of the innocent’s Walt alludes how complex it is to figure a self in democracy yet in harmony with the other selves that altogether fit in the union that exudes out connectedness. Emotionally stating ‘Or I guess the grass is itself a child, the produced babe of